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Here’s a question that even the most argumentative film-nerds would barely bother to debate: What’s the greatest shark movie of all time? The obvious answer, of course, is Jaws, Steven Spielberg’s 1975 blockbuster about a working-class cop (Roy Scheider), a rich nerd (Richard Dreyfuss), and a perma-soused lunatic (Robert Shaw) who board a dilapidated boat and head out to kill a large fish by I dunno, poking it to death, maybe? (*Jaws *is my favorite movie, and I’ve likely seen it more times than I’ve seen the actual ocean, but I’m still not sure those three guys had a well-thought-out plan for offing that thing). Portreti pisatelej. For more than 40 years now, *Jaws *has stood as the standard-bearer of shark movies, an honor that remains unchallenged by neither the film’s three sequels, nor by the numerous knock-offs it inspired, like the Italian-produced The Last Shark. When Blake Lively’s shark-pursuit drama *The Shallows *opens today, pretty much every review will inevitably invoke Jaws, for better or worse. But that's an unfair comparison—in many ways, *Jaws *isn’t really a shark movie at all.

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Yes, it's about a shark that is very, very good at being a shark, and it has one of the most hoot-inducing fish-bites-flesh scene of all time, when the creature into the sea, savoring each bite as though it were chomping on a chum-soaked stogie. But there are long stretches in Jaws in which the titular hunter disappears, and the movie transforms into a sharp examination of the petty, sometimes predatory behavior of the people on land: The way they favor their own bottom lines over the lives of their neighbors; the way they try to out-alpha-male each other; the way they allow their class differences to bubble to the surface. *Jaws *is actually one of the greatest human movies of all time, and to simply think of it as a shark-flick—even the best shark-flick ever—feels reductive. It belongs in its own category altogether. So if you take *Jaws *out of the running for best-shark movie, what’s left? There’s 2003’s Open Water, a genuinely dread-inducing lost-at-sea flick that doesn’t have quite enough shark-shocks to qualify.

Then there’s the glut of campy B-movies like the *Sharknado *films, which are full of mayhem, but are hard to take seriously for more than 10 minutes. Which brings us to The Shallows, the story of a young, wanderlusting surfer (Lively) who's being stalked by a massive Great White. For the most part, it's a gnarly, sharply effective terror-thriller that combines gorgeous camerawork with grind-house momentum—though in order to fully enjoy it, you'll have to get past a lackluster opening section full of surfing footage and c'mon-who-cares exposition, and you'll have to make peace with director Jaume Collet-Serra's shameless boob close-ups and underwater skin-shots (this is a movie that combines the male gaze with the whale gaze). But when Lively is finally stuck on the rocks, being forced to make one ingeniously improvised escape after the next, *The Shallows *becomes satisfyingly tense and adrenalized, especially in the borderline-cuckoo third act. It's a really, really good shark movie. Almost a great one! But as deeply satisfying as *The Shallows *might be, it's still not the greatest non- Jaws shark movie of all time.

That title belongs to Deep Blue Sea, director Renny Harlin’s 1999 sci-fi/action/horror combo about an underwater research lab whose residents become hunted by a trio of genetically modified super-sharks. It’s part haunted-house tale, part undersea-slasher flick, and part big-ensemble disaster movie, full of high-velocity attacks and ceaseless, remorseless sharks. It doesn't have the pop gravitas of Jaws, but it does have some archetypal, yet nicely rounded-out, human characters; moments of knowing comedy; and some genuinely inventive action sequences, including one of the greatest surprise deaths in modern-movie history. Upon its release,* Deep Blue Sea—*which is streaming on HBO Go, BTW—was greeted by so-so reviews and treated to a respectable box-office run; mostly, it was seen as little more than a fun summer-afternoon surprise.

Now, almost twenty years later, it’s clear that Harlin’s daffy, way-better-than-it-needs-to-be tale deserves a place at the top of the shark-flick food-chain. But it’s also sadly evident that *Deep Blue Sea *was among the last of its kind: An R-rated B-movie, full of gore and chaos and smart-stupidness, but with a big-budget, big-cast sheen. It’s the sort of film that studios once pumped out regularly, but that, in recent years, has all but disappeared into the drink. If you know anything about Deep Blue Sea, you probably know that scene—the one in which a shady bajillionaire, played by Samuel L. Jackson, gives an angry pep-talk next to an indoor tidal pool, in order to let everyone know he’s in charge. By 1999, Jackson was an Oscar-nominated super-star, and certainly the highest-profile member of the cast, which also included Thomas Jane as a loner shark-wrangler; L.L.